If you have ever seen photographs of 1930s dance marathons you might have assumed they were entertainment. Couples dancing on stage in front of audiences. Judges watching. Prizes for the winners.
The photographs do not show everything.
Dance marathons during the Great Depression were endurance contests where couples danced for days, weeks, and sometimes months without stopping. Partners took turns sleeping, one propped up and shuffling in place while the other dozed on their partner's shoulder. Both of them kept moving. You had to keep moving. If you stopped you were eliminated.
Why They Did It
The prize for winning a dance marathon was typically cash. But for many of the couples who entered, winning was not the only point. The real appeal was what happened while you were competing.
Organizers provided contestants with food, shelter, and medical attention while the contest was running. Couples who entered and stayed in the contest had a roof over their heads and meals provided for as long as they kept dancing.
During the worst years of the Depression when unemployment reached 25 percent and families were losing homes and going hungry, that arrangement was not entertainment. It was survival.
Young couples with no money and nowhere to go entered these contests and stayed in them as long as their bodies held out. Not for the prize. For the food and the floor to sleep on.
What the Contests Were Actually Like
Marathon dancing was brutal. Contestants danced up to 45 minutes of every hour with a 15 minute rest period. This continued 24 hours a day.
Contestants developed sores on their feet. Their legs swelled. They suffered from sleep deprivation so severe they hallucinated. Some contestants collapsed and had to be carried by their partners to stay in the contest.
Audiences paid admission to watch. The spectacle of exhausted human beings shuffling in circles and occasionally collapsing was apparently entertaining enough that the contests turned profits for their organizers.
Some contests ran for months. The record was reportedly over 4,000 hours of continuous dancing spread over more than five months.
States eventually began banning dance marathons on public health and safety grounds. By the late 1930s most had been shut down.
Why This Matters
Dance marathons are remembered, when they are remembered at all, as a quirky cultural artifact of the Depression era. A strange fad.
What they actually were is a window into how desperate conditions were for ordinary Americans during the Depression. How far people would go for food and shelter. What human beings will endure when they have no better options.
The couples who entered those contests are not in the history books. Their names are not recorded anywhere. But they were real people in real need who found the only solution available to them and used it.
That is a Depression story that deserves to be told alongside the breadlines and the Hoovervilles.
Robert Lee Beers III is a writer and digital preservation advocate based in North Charleston South Carolina.
No comments:
Post a Comment